How are Frankenstein and Prometheus Alike
How similar are the films Prometheus and Frankenstein? Victor Frankenstein’s research grants humans immortality, which was previously only available to the gods, like Prometheus’ sacred fire. Victor’s loved ones are pulled away from him like the hawk plucking out the liver of Prometheus.
Mary Shelley wrote a cautionary tale in Frankenstein that resembles Prometheus’s story from Greek mythology. Both stories are stories about creation and the consequences of hubris. While both stories are cautionary tales about the human mind, Frankenstein is especially relevant today. In addition to being an example of human hubris, the story also teaches us about knowing our limitations.
Mary Shelley’s Frankenstein
Frankenstein by Mary Shelley was released on January 1st, 1818. When the young author’s novel altered the literary landscape, she was just 20 years old. The author, Mary Godwin, as she was known in her childhood, had already lived a full and terrible life when she began writing the novel at the age of 18. Mary had lost a child herself, the first of many losses she would endure, when her mother passed away when she was very young.
After the passing of Percy Blysshe Shelley’s first wife in 1816, Mary became his wife. The first of many controversies that would follow their lives occurred when the two had already been living together for about two years.
The Shelley family led a nomadic lifestyle, hopping between rented estates and the homes of friends throughout the continent. While visiting Switzerland, Mary had the inspiration for her most well-known piece.The Shelleys and their friend Lord Byron used German ghost stories to pass the time during a soggy summer. The three authors competed with one another to develop original stories, drawing inspiration from their surroundings and the growing appeal of the Gothic horror subgenre.
Mary Shelley alleged that she agonised for days trying to think of a tale that may surpass the more experienced poets she lived with. She had a dream about a scientist who pushed the boundaries of science because of trends in the world around her and her personal experiences with loss and loneliness.
With her story of a hubristic doctor who challenged God to bring the dead back to life, Mary won the competition. She grew the tale into a complete novel with the support of her husband.
The Shelleys lived in a time of scientific progress where scholars like themselves kept up with the most recent findings. Luigi Galvani’s research on the electromagnetic currents that moved through animals had a significant impact on Mary Shelley.
Galvani had succeeded in causing the legs of a dead frog to wiggle by passing electric currents through them, but Shelley had bigger visions. What if a scientist was able to revive a dead person from the inside out?
Mary Shelley’s Frankenstein is a modern version of the Greek myth of Prometheus.
The subtitle of Mary Shelley’s Frankenstein is “Or, The Modern Prometheus,” and the novel bears many similarities to the myth of Prometheus. Prometheus, the first great scientist in Greek mythology, creates fire and teaches humanity how to use it. In Frankenstein, he creates a human out of clay, challenging the will of God. Unfortunately, this creation kills close friends, relatives, and even the bride on her wedding night.
Mary Shelley’s Frankenstein is an apocalyptic novel that explores the nature of the human mind and the role of imagination. The novel was first published in 1818 in London and was a hit. The story has been adapted numerous times over the years. The most famous version is the one produced by Edison Studios in 1910.
Despite the mythology of Prometheus, the tale is a classic of English literature. At the age of nineteen, the writer Mary Shelley was in an advantageous position to write Frankenstein. She was the daughter of a leading feminist and enlightenment philosopher and the wife of a celebrated romantic poet. In addition to her literary background, Mary Shelley was well-positioned to dramatize the clash of two cultures.
Like Prometheus, the modern version of Frankenstein draws heavily from the Romantic philosophy of the era. She describes her creation as a man made of clay and metal. The creation of a human being from clay, and the subsequent use of this clay as a tool for war, is reminiscent of the story of Prometheus. In addition, the novel features a scientist named Victor Frankenstein, who was punished for his hubris and misbehavior. His torment was considered divine punishment.
The Modern Prometheus has been credited with the creation of humanity, but it is difficult to find evidence in ancient sources for this tale. The tale is rarely included in modern Greek mythology but is often found in modern collections of Greek mythology. Despite this, the modern Prometheus story is a classic, despite the novel’s uniqueness.
Although both stories have many similarities, the modern Prometheus and Mary Shelley’s Frankenstein are arguably more contrasting. While the Greek myth of Prometheus centered around the role of the creator of the supernatural, the modern version is more likely to deal with the hubris of scientists of the time and their experiments with electricity.
The Modern Prometheus is the novel version of the Greek myth of Promethea, and its modern myth setting is an excellent choice for a classic Greek tale. Prometheus is a titan who helped create humanity. However, Zeus punished him by fixing him to a rock, and predatory birds would arrive every day to devour his liver.
It is a cautionary tale about hubris.
Mary Shelley’s novel Frankenstein is a cautionary tale about the consequences of hubris. The main character, Dr. Frankenstein, claims to have the power to create life, defy death, and bring his creation back from the dead. But unfortunately, the hubris of this character offends both the Christian God and Zeus, who gave humanity fire and life.
The characters in Frankenstein and Prometheus attempt to create monstrous creatures with the help of science and technology. Both texts question whether the creation is more dangerous than its creator. The protagonists in both stories are prone to hubris and disregard the ethics of their scientific experiments. Because both texts focus on hubris, they both serve as cautionary tales about science without conscience.
Victor’s failure is a consequence of his lack of empathy. Just as Prometheus failed to think about the consequences of his actions, Victor fails in his quest to create life from death. As a result, he is condemned to failure. This tragic ending results from his inability to accept responsibility for his actions. And because Victor is not interested in his accomplishments, his hubris leads to the destruction of many people’s lives.
While Frankenstein is widely viewed as a moral fable, it also shows the disastrous consequences of hubris. As Gould points out in his Natural History column, Frankenstein’s creation results from his ambition, a desire to create life, and an inability to control it. Ultimately, the young scientist’s hubris causes his failure.
SF scholars have traditionally linked the two texts with classical receptions. However, there is no reason to overlook the influence of classical myths on SF and its genres. Frankenstein also recomposes old materials in a modern context. And that is why the book Frankenstein and Prometheus is an important cautionary tale for modern humans.
A modern version of the famous Ancient Greek myth of Prometheus is based on the ‘Fantasmagoria.’ The book contains stories related to the creation of fire. Some of these stories are similar to scenes in the film Frankenstein. And the book may have been influenced by a literary critic’s interpretation of ancient myth.
It is a cautionary tale about knowing one’s limitations.
My mother-in-law, a 95-year-old woman, fought to die on her terms, but EMTs did not know what to do. They found her lying on the floor beside her bed, unable to speak and with white, liver-spotted arms. She refused to receive treatment, and when the EMTs realized there was no way to revive her, they gave up.